{"id":8961,"date":"2021-06-04T13:04:15","date_gmt":"2021-06-04T11:04:15","guid":{"rendered":"https:\/\/theaterwelten.info\/blog\/session-panel-discussion-which-society-reflects-amateur-theater\/"},"modified":"2021-11-04T13:08:01","modified_gmt":"2021-11-04T12:08:01","slug":"session-panel-discussion-which-society-reflects-amateur-theater","status":"publish","type":"post","link":"https:\/\/theaterwelten.info\/en\/blog\/session-panel-discussion-which-society-reflects-amateur-theater\/","title":{"rendered":"Session \/\/ Panel Discussion \u00bbWhich Society Reflects (Amateur) Theater?\u00ab"},"content":{"rendered":"\n<p>The question posed in the title of the conversation already raises a number of questions: Is there a collective of amateur theaters based on solidarity Who is in and who is excluded? What content, whose content is presented on the stages of these amateur theaters? And for what &#8211; ideological, economic, logistical \u2013 reasons?   <\/p>\n\n\n\n<p>How do topics such as (stereotypical) role expectations and the freedom to act out the gradations of one&#8217;s own identity(s) play into these discussions? Which prospects for change can we imagine or already observe? Which prospects for change can we imagine or already observe?<\/p>\n\n\n\n<p>Aware that we are in an open-ended learning process, we exchange attitudes and positions and reflect together &#8211; possibly still unfinished &#8211; thoughts.<\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Podium guests<\/h3>\n\n\n\n<p class=\"has-text-align-center\"><strong>Gabriele Barth<br><\/strong>Publisher and managing director of Deutscher Theaterverlag GmbH, Weinheim<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Carola Unser<\/strong><br>Artistic director and director of the Hessisches Landestheater Marburg<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Dominik Eichhorn<\/strong><br>Freelance theater and culture mediator, Berlin<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Marcus Joos<\/strong><br>Board member of the amateur theater Die Koralle e.V., Bruchsal<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Rolf Kappler<\/strong><br>Board of Directors Theaterkarren e.V., Rudersberg<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Robert Paschmann<\/strong><br>Educational advisor for personal development \/ political education, workshop leader on, among other things, gender equality and masculinity concepts, Hamburg<\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Moderation<\/h3>\n\n\n\n<p class=\"has-text-align-center\"><strong>Raphael Wohlfahrt<\/strong><br>Cultural manager, amateur theater director and -player, Stuttgart<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The discussion takes place in German.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The question posed in the title of the conversation already raises a number of questions: Is there a collective of amateur theaters based on solidarity Who is in and who is excluded? What content, whose content is presented on the stages of these amateur theaters? And for what &#8211; ideological, economic, logistical \u2013 reasons?   <\/p>\n","protected":false},"author":5,"featured_media":6161,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[119,192,173,201,166],"tags":[],"class_list":["post-8961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival2021-en","category-online-en","category-post","category-session-en","category-symposium-en"],"_links":{"self":[{"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/posts\/8961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/comments?post=8961"}],"version-history":[{"count":0,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/posts\/8961\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/media\/6161"}],"wp:attachment":[{"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/media?parent=8961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/categories?post=8961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theaterwelten.info\/en\/wp-json\/wp\/v2\/tags?post=8961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}